30 Eylül 2012 Pazar

The Klapmeyer-Organ (1730), Altenbruch GERMANY

To contact us Click HERE
Among the major organs of Lower Saxony, the Monumental organ in the St Nicolai Church in Altenbruch is of paramount importance not only nationally, but also in the international field. The 500-year-old instrument, the oldest in Germany, mostly consisting original preserved material, and the unusual architectural history - all of this together with the wonderful sound of this great organ, justifies all efforts to preserve the instrument.




Vincent Lübeck (1654-1740) Prelude and Fugue II in E major Michel Chapuis at the Johann Hinrich Klapmeyer organ of the St. Nicolai Church in Altenbruch




In 1497 the chaplain Johannes Coci built an Organ with six stops and eight bellows on the north side of the church near the altar. An extension was added in 1577, presumably by Matthias Mahn.

In 1647 the Oberwerk was renewed or extended by Hans Christoph Fritzsche (Hamburg). 21 years later Joachim Richborn (Lübeck) worked on the organ in Altenbruch. In 1698 the organ received individual stops or registers and the keyboard was widened by Matthias Dropa (Lüneburg).





Vincent Lübeck (1654-1740) Prelude and Fugue IV in G minor
Michel Chapuis at the Johann Hinrich Klapmeyer organ of the St. Nicolai Church in Altenbruch



Johann Hinrich Klapmeyer (Glückstadt) in 1727, moved the organ at the tower site to the newly built West Empore. He maintained the Rückpositiv and Hauptwerk of the old organ, to which he added two new pedal towers and a Brustwerk (as the third Manual) with 6 stops/registers. After this the organ remained almost unchanged until the 20th century. Its disposition comprises 35 registers divided over 3 manuals and pedal. It is, together with the Lüdingworther organ, considered to be one of the oldest organs of northern Europe. Extensive restoration measures were performed by the organ-building workshop of Jürgen Hendrik Ahrend. After completion of the work 2004, the organ was tuned to the Werckmeister III. Temperature.



The video below gives a description of the organ and its history (in German)








HISTORICAL DETAIL


The instrument in the Old St. Nicholas is one of the most important monuments of Central European organ art. The Certificates issued by the “MiddleRhein association of the Eifel and the Netherlands to the Weser and Elbe”, authenticate the age of the organ pipes in the Ruck-positive and pedal. The Thuringian-Saxon art from the Dresden-born Hans Fritzsche Christopher (son of Heinrich Schütz operating under Hoforgelmachers Gottfried Fritzsche) decorated the Hauptwerk.

The changes implemented by the Siebenbürgen -born Matthias Dropa reveals influences from the Southeast European-Hapsburg tradition. Johann Friedrich Klapmeyer, from Danish Holstein, created an architectural and aural synthesis, without altering the peculiarities of the 8'principal and older pipes and created a harmonius 3 manual instrument.







In the middle of the 17th century Klapmeyer also built organs in Kiedrich (Rheingau), Klosterneuburg near Vienna or Prague / These organs no longer exist and thus the Altenbrucher Klapmeyer Organ represents a landmark in the northwest German organ landscape.

For a village church it was unusual to have an organ of this size. But considering the size of the organ with 35 registers on three manuals and pedal on the one hand, and the size and importance of the twin church, once the seat of an archdiocese Archidiakonats in Bremen we can understand its functionality. Up to the time of the Enlightenment the musical Lutheran liturgy was rich with its versatile use of the organ, and an instrument of this size and color was required. For playing the organ music of Jan Pieterszoon Sweelinck and Heinrich Scheidemann to Dietrich Buxtehude, Nicolaus Bruns and Vincent Lübeck, but also by Johann Sebastian Bach and his pupils, to Johann Christian Kittel, who himself played the instrument, the organ in the Altenbruch was an stylistically appropriate instrument.

The Nikolaikirche Altenbruch possesses a monumental organ. Construction started 1498, completion of it took place in the 1730s. It was currently restored with the proviso that the historic state from 1730 would prevail in the from the ground up restoration. The organ builder Ahrend, Leer-Loga, concluded this restoration in 2004. To maintain this organ and the Arp-Schnitger organ in the neighboring Lüdingworth church and to promote professional organ music in both churches and on both instruments, in 2006, a "Historical Foundation in Old organs in Altenbruch and Lüdingworth” was launched. The patron of the Foundation is the Federal Attorney General, Ms. Harms who has been active promoting cultural heritage.


The Klapmeyer Organ
500 years historic Altenbruch St. Nicolai
from the leaflet on organ restoration,
Supplement to the international journal "Organon"
Editing Prof. Riedel, Mainz



Masaaki Suzuki. Coci-Klapmeyer organ, Altenbruch. Werckmeister I (III) plus Chorton



BUILDER/RENOVATION HISTORY
Johannes Coci 1498 /
Matthias Mahn (?) 1577 /
Hans Christoph Fritzsche 1649 /
Matthias Dropa 1697/1700 /
Johann Hinrich Klapmeyer 1727/30
(r) v. Beckerath 1967/ (r)
Jürgen und Hendrik Ahrend 2003/04

DISPOSITION

(35 / HW / RP / BW / Ped)

Hauptwerk
Quintadohn 16'
Principahl 8'
Gedackt 8'
Octav 4'
Waldflöt 2'
Mixtur V
Simbel III
Trommeth 8'
Vox humana 8'
Scharff IV vor 1727
Dulcian 16' Fr/vB
Kromphorn 8' Fr/Vb

Rückpositiv
Principahl 8'
Gedackt 8'
Quintadöhn 8'
Octav 4'
Gedackt 4'
Nasat 3'
Super Octav 2' Dr
Blockflöt 2' ä
Sexquialtera II Fr

Brustwerk
Gedacktes 8' Kl
Gedackt 4' Kl
Super Octav 2' Kl
Quint 1 1/2' Kl
Scharff III Kl
Knop Regal 8' Kl

Pedal
Untersatz 16' ä*
Prinzipahl 8' Kl
Gedackt 8' Dr
Octav 4' Dr
Mixtur IV Dr
Posaun 16' Fr
Trommeth 8' ä
Corneth 2' vB**

Tremulant, Zimbelsterne, Manualkoppel

Manualumfänge: C,D,E,F,G,A, - c''' Pedalumfang: C,D,E - d'

Stimmung: gleichschwebend

Pfeifenmaterial:
ä = vor 1647 / *= aus Pfeifenmaterial von 1498
Fr = H.Chr.Fritzsche
Dr = Matth. Dropa
Kl = J.H. Klapmeyer
vB = von Beckerath / **=unter Verwendung älterer Pfeifen

Erläuterung der Abkürzungen
r = restauriert durch
rk = rekonstruiert durch
n = Neubau von
u = Umbau von
G = Gehäuse erhalten
Ppf = Prospektpfeifen erhalten


HW = Hauptwerk
RP = Rückpositiv
BW = Brustwerk
UW = Unterwerk
SW = Schwellwerk
Ped = Pedal
p = angehängtes Pedal (ohne eigene Register
I, II oder III = 1, 2 oder 3 Manuale






Vincent Lübeck (1654-1740)    Prelude and Fugue VI in C major
Michel Chapuis at the Johann Hinrich Klapmeyer organ of the St. Nicolai Church in Altenbruch






Vincent Lübeck (1654-1740) Prelude and Fugue V in C minor
Michel Chapuis at the Johann Hinrich Klapmeyer organ of the St. Nicolai Church in Altenbruch





YOU CAN LISTEN TO ALL THE FOLLOWING RECORDINGS OF THIS ORGAN BY CLICKING ON THE LINK BELOW: TO RETURN TO THIS PAGE AFTER LISTENING, CLICK "BACK" ON YOUR BROWSER.

The most apocalyptic collar shirt and sideburns...
The Stars collapse at the Klapmeyer organ in Altenbruch
The historical Klapmeyer organ at Altenbruch, Germany





Johann Sebastian Bach playing Johann Sebastian Bach (1685-1750) Thomaskirche (Leipzig)

To contact us Click HERE


the new "Bach Organ" built by Gerald Woehl




A notable feature of the Thomaskirche is that it contains two organs. The older one is a Romantic organ by Wilhelm Sauer, built 1885-1889. Since this organ was not suitable for Bach's music, a second organ was built by Gerald Woehl's organ building company from 1999-2000. This "Bach organ" was designed to look similar to the old organ on which Bach had played in the Paulinerkirche.


The St. Thomas Church is one of 2 houses of worship in Leipzig’s city center. Home of the St. Thomas Boys Choir and a place of musical creativity; it is also the final resting place of the famous St. Thomas Cantor, Johann Sebastian Bach.


The St. Thomas Church is one of the earliest places in Europe, which documented organ music during church services. "Organ songs" were mentioned for a Maria Mass in 1384 and in 1392 for the Corpus Christi Mass-indications of a very early fostering of music from the St. Thomas founders of 1212. The organs of Bach's time do not exist anymore. The organ, which can be seen on the west choir loft, was built by Wilhelm Sauer in 1889. Originally, this Romantic period instrument had 63 organ stops. In 1908, more stops were added to give a total of 88 stops. It was later restored and brought back to its original eminence in 2005.



The new Bach-Organ on the north choir loft, situated across from the Bach-Window, was built in the year 2000. This organ is used especially for playing the organ works of Johann Sebastian Bach and was built by the organ manufacturer Gerald Woehl in Marburg. The sound quality of this instrument, with its 61 organ stops on 4 manuals and a pedal board, is similar to the organs built in Middle-Germany during the 18th century. The organ in the University Church St. Pauli, which Bach played during his time in Leipzig, served as the inspiration for the form of the Bach-Organ.
 



The St. Thomas Church dates back to the 12th Century. It was here in 1409 that the University of Leipzig was founded. From 1492 to 1496, the church had the form of a late Gothic hall church. It was also here in 1539 that Martin Luther preached the implementation of the Reformation. For the last 800 years, the St. Thomas Boys Choir has been singing here.




One of the oldest boy choirs in Germany singing Matthäuspassion (St Matthew Passion) by their own cantor from XVII Century - J.S. Bach. However now the choir is led by inimitable Georg-Christoph Biller. This is a very short sequence of originally 3+ hours long musical masterpiece.





The St. Thomas Boys Choir, whose history dates back to the year 1212, is the oldest cultural establishment of the city of Leipzig. Outliving all political, municipal, religious, and educational controversy, 800 years musica sacra has shaped the choir's past.

Through the influence of the many St. Thomas Cantors, including the most famous-Johann Sebastian Bach (Thomas Cantor 1723-1750)-the city of Leipzig and the St. Thomas Church became the center of Protestant church music.





Johann Sebastian Bach (1685-1750) Prelude in A minor BWV 543
Johann Sebastian Bach at his organ, the Neue Bach-Orgel, in Thomaskirche (Leipzig)


The St. Thomas Church is home to the Boys Choir. A choir rich in tradition, they are committed to continue his musical legacy.

Today, visitors from all over the world come to Leipzig to observe church services in the St. Thomas Church, hear a motet from the St. Thomas Boys Choir, or to take pleasure in concerts and organ music.



Romantic organ by Wilhelm Sauer, built 1885-1889


Even amongst the many churches of Europe, St. Thomas in Leipzig, Germany is special; not only has it housed a world famous boys choir but has been the site of considerable music creativity. Composers such as Mendelssohn and Mozart have performed there and Wagner was baptized there, but certainly the greatest works ever done there are the compositions of J.S. Bach.



"Nun danket alle Gott" BWV 657 (J.S. Bach) Ullrich Böhme, Orgel. Ullrich Böhme, Organ.
on  the new "Bach Organ" built by Gerald Woehl



Thomaskirche (Leipzig)






The organ featured in this recital by Mr. Böhme is the new "Bach Organ" built by Gerald Woehl dedicated in 2000 according to the official St Thomas Church.









DISPOSITION OF THE ORGAN
the new "Bach Organ" built by Gerald Woehl

Brustwerk (I)
Grob Gedackt 8'
Klein Gedackt 4'
Principal 2'
Super Gemßhörnlein 2 f.
Quint-Sexta 2 f.
Sieflit 1'

Hauptwerk (II)
Bordun 16'
Principal 8'
Violdagamba 8'
Rohrflöth 8'
Quinta 6'
Octav 4'
Nassatquint 3'
Superoctav 2'
Queerflöth 2'
Sesquialtera 3 f.
Mixtur 6 f.
Cimbel 3 f.
Fagott 16'
Trombetta 8'

Oberwerk (III)
Quintaden 16'
Prinzipal 8'
Gedackt 8'
Gemßhorn 8'
Flauta doux 8'
Octav 4'
Hohlflöth 4'
Hohlquint 3'
Superoctav 2'
Plickflöth 2'
Sesquialtera 3 f.
Scharff 4 f.
Vox Humana 8'
Hautbois 8'
Tremulant

Echo (IV)
Barem 16'
Still Gedackt 8'
Quintaden 8'
Principal 8'
Nachthorn 4'
Spitzflöth 4'
Spitzquint 4'
Octav 2'
Schweitzerflöth 2'
Rauschquint 1' 1/2
Superoctävlein 1'
Cimbel 3 f.
Regal 8'

Pedal
Großer Untersatz 32'
Prinzipal 16'
Violon 16'
Sub Bass 16'
Octav 8'
Gedackt 8'
Quintaden 8'
Superoctav 4'
Bauerflöth 1'
Mixtur 6 f.
Posaun Bass 32'
Posaun Bass 16'
Trombet 8'
Cornet 2'
Glockenspiel 2'

TEMPERAMENT: modified Neidhardt
PITCH: a'=465 with Chorton.





Disposition Sauer-Orgel 1908/2005

 

I. MANUAL (25 STIMMEN)
2. MANUAL (21 STIMMEN)
Principal 16fuß
Salicional 16fuß
Bordun 16fuß
Gedackt 16fuß
Principal 8fuß
Principal 8fuß
Geigenprincipal 8fuß
Schalmei 8fuß
Viola di Gamba 8fuß
Salicional 8fuß
Gemshorn 8fuß
Harmonica 8fuß
Dulciana 8fuß
Dolce 8fuß
Doppelfloete 8fuß
Flûte harmonique 8fuß
Flute harmonique 8fuß
Konzertfloete 8fuß
Flauto dolce 8fuß
Rohrfloete 8fuß
Gedackt 8fuß
Gedackt 8fuß
Quintatön 8fuß
Octave 4fuß
Quinte 5 1/3fuß
Salicional 4fuß
Octave 4fuß
Flauto dolce 4fuß
Gemshorn 4fuß
Quinte 2 2/3fuß
Rohrfloete 4fuß
Piccolo 2fuß
Violini 4fuß
Cornett 3fach
Octave 2fuß
Mixtur 4fach
Rauschquinte 2fach
Cymbel 3fach
Mixtur 3fach
Tuba 8fuß
Cornett 2-4fach
Clarinette 8fuß
Scharf 5fach

Groß-Cymbel 4fach

Trompete 16fuß

Trompete 8fuß

 






HISTORY 
Thomaskirche (Leipzig)



December 12, 1409
Foundation of Leipzig University in the Monastery of St. Thomas
September 14, 1477
The oldest bell “Gloriosa” was cast
1482-1496
Renovation of the nave into a late Gothic style hall church
June 24, 1519
Service held for the beginning of the Leipzig Debate between Martin Luther and Johannes Eck
May 25, 1539
Martin Luther gives a sermon, introducing the Reformation to Leipzig
1541
Closing of the monastery and destruction of its buildings
1723-1750
Johann Sebastian Bach is cantor in Leipzig
April 11, 1727
First Performance of St. Matthew Passion by Bach on Good Friday
1732
Renovation of the St. Thomas School
May 12, 1789
Wolfgang Amadeus Mozart plays the organ at St. Thomas
1806
Troops under Napoleon store munitions in the church
1813-14
St. Thomas is used as a military hospital during the Battle of Leipzig (“Battle of Nations”) when Napoleon was defeated
August 16, 1813
The composer Richard Wagner was baptized[1]
April 4, 1841
Bach’s St. Matthew Passion performance repeated by Felix Mendelssohn
September 16, 1842
Founding of “Gustav-Adolf-Werk”, an organization whose mission continues to be providing support for minority protestant churches throughout the world.Website for the Gustav-Adolf-Werkes e. V., Leipzig
April 23, 1843
Dedication of the Bach Memorial; built under Mendelssohn’s direction
November 26, 1848
Commemoration of the life of Robert Blum takes place in the St. Thomas Church
1884-1889
Renovation of the church in the Neo-Gothic style
1885-1889
The Sauer organ is built
1902
Closing of the St. Thomas School
1904
The church superintendent’s house is built on the site of the St. Thomas School
1908
Dedication of the Bach statue designed by Carl Seffner
1917
The last tower keeper moves out of the bell tower apartment
December 4, 1943
The bell tower is damaged by fire bombs dropped by Allied bombers
1950
Bach’s grave is moved to the St. Thomas Church
1961-64
Interior renovation of the church
1966-67
Schuke organ installed
1991
Initiation of the complete restoration of the church
1993
Dedication of the restored Paulus altar
1997
Installation of the Mendelssohn window
1999
Removal of the Schuke organ
June 11, 2000
Dedicaton of the restored St. Thomas Church with the new Bach organ
July 28, 2000
Celebration of the 250th anniversary of Johann Sebastian Bach’s death
October 18, 2008
Dedication of the copy of the Felix Mendelssohn statue across from St. Thomas

1761 Johann-Andreas-Silbermann Organ Dom zu Arlesheim Arlesheim/Basel, Switzerland

To contact us Click HERE


The 1761 Johann-Andreas-Silbermann Organ Dom zu Arlesheim Arlesheim/Basel, Switzerland



Short preliminary Introduction and History
This famous organ is well-known especially for the complete Bach recordings of Lionel Rogg in 1970.
The cathedral has a Baroque organ built by the German builder Johann Andreas Silbermann, based in Alsace, in 1761. The instrument was restored by Metzler in 1959-62, and is an example of the fusion of French and German organ building styles. The complex restoration and reconstruction was done by the renowned Swiss Metzler organ workshop and was the leading restoration at this time, which had an important influence on all later restorations of baroque organs. The church has a wonderful warm and rich acoustics.





Lionel Rogg performed 1970 Bach's Toccata and Fugue BWV 565 at Arlesheim's cathedral ('Dom von Arlesheim')






Johann Sebastian Bach (1685-1750) Prelude and triple Fugue in E flat major BWV 552 Prelude Lionel Rogg at the Silbermann organ in Arlesheim




Rogg plays Johann Sebastian Bach's prelude and fugue in c minor BWV 549 on the Silbermann organ of Arlesheim.





Johann Sebastian Bach (1685-1750) Prelude (Toccata) and Fugue in E major BWV 566 Lionel Rogg at the Silbermann organ in Arlesheim





Johann Sebastian Bach (1685-1750)

Das Orgelbüchlein
Christus, der uns selig macht BWV 620
Da Jesus an dem Kreuze stund BWV 621
Wir danken dir, Herr Jesu Christ BWV 623
Hilf, Gott, daß mir's gelinge BWV 624

Lionel Rogg at the J.A. Silbermann organ in Arlesheim (Switzerland)





Rene Saorgin playing an organ by Andreas Silbermann in Arlesheim, Switzerland.
Buxtehude Toccata





Johann Sebastian Bach (1685-1750)
Passacaglia and Fugue in C minor BWV 582
1. Passacaglia

Lionel Rogg at the Johann Andreas Silbermann organ of the Domkirche in Arlesheim





Johann Sebastian Bach (1685-1750) Passacaglia and Fugue in C minor BWV 582 2. Fugue Lionel Rogg at the Johann Andreas Silbermann organ of the Domkirche in Arlesheim




DISPOSITION

Hauptwerk
* Bourdon 16'
* Montre 8'
* Bourdon 8'
* Prestant 4'
* Nazard 2 2/3'
* Doublette 2'
* Tierce 1 3/5'
* Sifflet 1'
Fourniture 3fach
Cymbale 2fach
* Cornet 5fach (ab c')
Trompette 8'
Voix humaine 8'

Rückpositiv:
* Bourdon 8'
* Prestant 4'
* Flûte 4'
* Nazard 2 2/3'
* Doublette 2'
* Tierce 1 3/5'
Larigot 1 1/3'
Fourniture 3fach
Cromorne 8'


Récit/Echo:
* Bourdon 8'
* Prestant 4'
* Nazard 2 2/3'
Doublette 2'
Tierce 1 3/5' (Disk.)
Basson/Trompette 8'


Pedal:
* Subbass 16'
* Octavbass 8'
Quinte 5 1/3'
Prestant 4'
Fourniture 3fach
Bombarde 16'
Trompette 8'
Clairon 4'


Tremulant
Koppel Rp/Hw
Koppel Hw/Ped
*Silbermann-Register von 1761






Great Paschen Organ in Central Pori Church, Pori, Finland.

To contact us Click HERE










The Organ in Central Pori ChurchPaschen Kiel Orgelbau GmbH 2007


When the new organ for Central Pori Church was being planned, two main objectives were in the forefront: firstly, to provide the congregation with a versatile and inspiring instrument and secondly, to build an organ of the highest artistic integrity based on the French Romantic tradition.

Organ building prospered in France in the second half of the 19th century. This resulted in a number of brilliant instruments being built in different parts of France, during that period. The inspiration provided by the new style of organ-building, culminated in a significant output of major organ-compositions being created. The most important composers of this style are César Franck, Louis Vierne, Camille Saint-Saëns, Alexandre Guilmant and Charles-Marie Widor.

The organ in Central Pori Church was built by the German organ-building company, Paschen Kiel Orgelbau GmbH. The specification, designed by the Parisian organ specialist Kurt Lueders, has 58 stops on three manuals and pedal. The organ-builders and voicers, Helmuth Gripentrog and Kalevi Mäkinen, were responsible for the voicing of the organ.

The organ façade was designed by Roland Monczynski, Director of the Paschen Organ Factory, who based the design on a combination of the typical characteristics of the French Romantic organ style, with that of the Neo-Gothic architecture of Central Pori Church. The casework and façade is made of oak and houses selected front pipes belonging to the stops Montre 16’ and Montre 8’, both of which are part of the division “Grand Orgue “. The remainder of this division, belonging to the main manual is located behind the façade. The Positif and Récit divisions are enclosed in swell boxes, one on top of the other, behind the Grand Orgue division. The pedal pipes are on both sides of the Grand Orgue division. The largest pedal stops, Soubasse 32´ and Bombarde 32´, are situated at the back wall of the organ case on their own wind chests.

The tonal structure of the organ specification is based on the French Romantic organ tradition and is for this reason, that the instrument’s sound reflects the quality of timbre embodied in a symphony orchestra. Emphasis is on fundamental tone, which is in turn shaped by juxtaposing and the combination of three characteristic stop families (flutes, strings and the numerous colourful and brilliant reed stops). In addition, the first and second manuals include a fully-fledged mixture chorus, e.g. Grand Orgue( the first manual): Montre 16´, Montre 8´, Prestant 4´, Doublette 2´, Fourniture 5r, Cymbale 4r. Additionally the organ has colourful mutation ranks, for example Nasard 2 2/3’ or Tierce 1 3/5’.

All departments of the organ are subdivided into two sections: foundation stops and forte stops. The latter may be prepared thanks to the appel system (foot activated pedal-levers which bring on the previously-drawn stops belonging to this group). In addition to the appel pedals, the organ also possesses a computer-based register memory system, which enables the recording of a nearly countless number of stop combinations.

The pipes of the second and third manuals are enclosed in wooden chambers known as swell boxes, whose sides can be opened and closed progressively to increase and decrease the volume of tone. In addition to the usual couplers, e.g. second to first, the first and third manuals are equipped with suboctave couplers (Octaves graves). All of these devices make great dynamic variation possible; the organist can thereby initiate tremendous crescendo and diminuendo effects.

The tracker action of the organ is mechanical, and the stop action is both mechanical and electrical. All the manuals are equipped with the so-called Barker lever machines to assist the keyboard playing action by means of pneumatics. This way the fundamental principles of mechanical action and those of pneumatic action conjugate most effectively. The mechanical action retains a clear pluck point, without the touch being influenced by the couplers, thus giving the organist the means to control this technically complex late Neo-Romantic organ with all its couplers, double pallets and long action runs, in a musical and sensitive way.

The wind system (12 large bellows), the console design, pipework placement, scaling and voicing were carried out in accordance with the essential characteristics of the French Romantic organ building tradition.
When the new organ for Central Pori Church was being planned, two main objectives were in the forefront: firstly, to provide the congregation with a versatile and inspiring instrument and secondly, to build an organ of the highest artistic integrity based on the French Romantic tradition.

Organ building prospered in France in the second half of the 19th century. This resulted in a number of brilliant instruments being built in different parts of France, during that period. The inspiration provided by the new style of organ-building, culminated in a significant output of major organ-compositions being created. The most important composers of this style are César Franck, Louis Vierne, Camille Saint-Saëns, Alexandre Guilmant and Charles-Marie Widor.

The organ in Central Pori Church was built by the German organ-building company, Paschen Kiel Orgelbau GmbH. The specification, designed by the Parisian organ specialist Kurt Lueders, has 58 stops on three manuals and pedal. The organ-builders and voicers, Helmuth Gripentrog and Kalevi Mäkinen, were responsible for the voicing of the organ.

The organ façade was designed by Roland Monczynski, Director of the Paschen Organ Factory, who based the design on a combination of the typical characteristics of the French Romantic organ style, with that of the Neo-Gothic architecture of Central Pori Church. The casework and façade is made of oak and houses selected front pipes belonging to the stops Montre 16’ and Montre 8’, both of which are part of the division “Grand Orgue “. The remainder of this division, belonging to the main manual is located behind the façade. The Positif and Récit divisions are enclosed in swell boxes, one on top of the other, behind the Grand Orgue division. The pedal pipes are on both sides of the Grand Orgue division. The largest pedal stops, Soubasse 32´ and Bombarde 32´, are situated at the back wall of the organ case on their own wind chests.

The tonal structure of the organ specification is based on the French Romantic organ tradition and is for this reason, that the instrument’s sound reflects the quality of timbre embodied in a symphony orchestra. Emphasis is on fundamental tone, which is in turn shaped by juxtaposing and the combination of three characteristic stop families (flutes, strings and the numerous colourful and brilliant reed stops). In addition, the first and second manuals include a fully-fledged mixture chorus, e.g. Grand Orgue( the first manual): Montre 16´, Montre 8´, Prestant 4´, Doublette 2´, Fourniture 5r, Cymbale 4r. Additionally the organ has colourful mutation ranks, for example Nasard 2 2/3’ or Tierce 1 3/5’.

All departments of the organ are subdivided into two sections: foundation stops and forte stops. The latter may be prepared thanks to the appel system (foot activated pedal-levers which bring on the previously-drawn stops belonging to this group). In addition to the appel pedals, the organ also possesses a computer-based register memory system, which enables the recording of a nearly countless number of stop combinations.

The pipes of the second and third manuals are enclosed in wooden chambers known as swell boxes, whose sides can be opened and closed progressively to increase and decrease the volume of tone. In addition to the usual couplers, e.g. second to first, the first and third manuals are equipped with suboctave couplers (Octaves graves). All of these devices make great dynamic variation possible; the organist can thereby initiate tremendous crescendo and diminuendo effects.

The tracker action of the organ is mechanical, and the stop action is both mechanical and electrical. All the manuals are equipped with the so-called Barker lever machines to assist the keyboard playing action by means of pneumatics. This way the fundamental principles of mechanical action and those of pneumatic action conjugate most effectively. The mechanical action retains a clear pluck point, without the touch being influenced by the couplers, thus giving the organist the means to control this technically complex late Neo-Romantic organ with all its couplers, double pallets and long action runs, in a musical and sensitive way.

The wind system (12 large bellows), the console design, pipework placement, scaling and voicing were carried out in accordance with the essential characteristics of the French Romantic organ building tradition.


Paschen organ - Specification



DISPOSITION



I Grand Orgue (C - a ''')Montre 16
Bourdon 16
Montre 8
Bourdon 8
Violoncelle 8
Flûte harmonique 8fasadi
Prestant 4
Octave 4
Quinte 2 2/3
Doublette 2
Fourniture 5r
Cymbale 4r
Cornet 5r
Basson 16
Trompette 8
Clairon 4


II Positif expressif (C - a ''')Quintaton 16
Principal 8
Flûte 8
Cor de nuit 8
Salicional 8
Unda maris 8
Prestant 4
Flûte douce 4
Nasard 2 2/3
Doublette 2
Tierce 1 3/5
Plein jeu harmonique 3-6r
Piccolo 1
Cor anglais 16
Trompette 8
Clarinette 8



III Récit expressif (C - a ''')Bourdon 16
Diapason 8
Flûte traversiere 8
Viole de gambe 8
Voix céleste 8
Flûte octaviante 4
Viole d’amour 4
Octavin 2
Plein jeu 4r
Bombarde 16
Trompette harmonique 8
Clairon 4
Basson et hautbois 8
Voix humaine 8



Pédale (C - f ')Soubasse 32
Contrebasse 16
Soubasse 16
Basse 8
Bourdon 8
Violoncelle 8
Flûte 4
Bombarde 32
Bombarde 16
Basson 16
Trompette 8
Clairon 4


Pédales de Combinaisons
Effet d’orage
Tirasse Grand Orgue
Tirasse Positif
Tirasse Récit
Anches Pédale
Octaves Graves Grand Orgue
Octaves Graves Récit
Tremolo Positif
Expression Positif
Expression Récit
Tremolo Récit
Anches Grand Orgue
Anches Positif
Anches Récit
Introduction Grand Orgue
Copula Positif/Grand Orgue
Copula Récit/Grand Orgue
Copula Récit/Positif

Computer-based register memory system(Otto Heuss), 3999 combinations, memory stick option.

Builder: Paschen Kiel Orgelbau GmbH

Specification: Kurt Lueders, Paris, France

Façade: Roland Monczynski, Germany

Technical design: Roland Monczynski

Tonal realization: Helmuth Gripentrog & Kalevi Mäkinen

________________________________________________________________

The Most Ingenious DIY Bike I've Ever Seen

To contact us Click HERE
Microbent CLWB Recumbent, by Fred Fincher, USA

The Most Ingenious DIY Bike I've Ever Seen
by Bevin Chu
Taipei, China
February 10, 2011


Lately I've been surfing the web for DIY bike designs.

I have a 26" diamond frame urban commuter that I would like to convert into a LWB mid racer recumbent, along the lines of the Easy Racers Javelin or Rans X-stream 26.

But as I surfed the web, I stumbled across the above compact long wheelbase (CLWB) recumbent, converted from a diamond frame child's bike.

It has relatively little to do with my own DIY conversion requirements. But it is perhaps the most ingenious DIY conversion I've ever seen, and therefore useful as a source of inspiration.

What makes this particular DIY conversion so ingenious?

1. This DIY conversion makes full use of the existing bike design. Rather than laboriously fabricate new parts in a machine shop, it makes full use of every part already on the bike.

2. The crank assembly, for example, is merely a section of EMT, welded to the head tube. It extends forward along the axis of the top tube, just far enough to accommodate the rider's legs.

3. The seat bottom rests directly on the top tube, and is the exact same length as the top tube. The seat back begins exactly where the top tube and seat tube meet. The seat back supporting struts attach to the existing rear luggage rack attachment points. The seat back, seat stays, and seat back supporting struts form a perfect triangle. 

4. The USS (under seat steering) solution is perhaps the most ingenious feature of all. The builder simply welded two pieces of EMT onto the front fork, creating handlebars for direct steering. Because the DIY conversion uses a child's bike that is short in overall length, the handlebars fall directly below the rider's hands. This eliminates the need for any complex steering mechanism. No muss, no fuss. 

5. The DIY conversion requires only a single donor bike. No need to accumulate two or even more donor bikes before beginning the conversion process. Everything on the single donor bike is used. Nothing is wasted.

6. Because the DIY conversion uses a child's bike, the completed bike is low to the ground. This makes it safe in the event of a spill. The rider sits a mere foot or so above the ground.

29 Eylül 2012 Cumartesi

Silverlake Contemporary Ballet: The Swan Lake You've Always Wanted To See

To contact us Click HERE
SilverlakeBallet

Swan Lake.  A million ballerinas have danced a version of it, the hauntingly grand Tchaikovsky music is unmistakeable aaaaand who can forget 2010's The Black Swan? Seriously.  Well, that's all about to change.
The Silverlake Contemporary Ballet (SCB) is re-inventing the story once again and just to make it that much more LA, each act will be played by local legends...live...on stage. Yep, you heard that right.  Awesome sounds by Races, The Young Romans and Holly Conlan will each play a rock rendition of the centuries-old ballet score.  In addition, a collection of large scale paintings curated by Edgar Varela Fine Arts will set the scene, American Apparel will donate the costumes and, together, all tell their depiction of a love story 'tested by Hollywood morality'.


Just a taste of what you'll see:


The SCB returns after a sold-out 1st season THIS WEEKEND for only 3 days of shows: September 21st - 23rd.  Tickets start at $25 to view a private dress rehearsal Friday evening and can run you to $36 for priority seating to see the full production at The Assistance League Theater of Hollywood.  Can't afford the show? Join the volunteer crew and see the show for free! Contact HERE for details.
SilverlakeBallet
SilverlakeBallet
SilverlakeBallet

A much overdue addition to our burgeoning creative community, Swan Lake by the Silverlake Contemporary Ballet promises an amazing eruption of talent to see and is a show not to be missed.  See you soon!
Xo,Melissa 

Amanda Shaw to Play Ventura Oysterfest on October 13

To contact us Click HERE
DSC_7063 In late August 2012 right before Hurricane Isaac hit Louisiana, I discovered Amanda Shaw and The Cute Guys at the New Orleans Slobsterfest.  Amanda Shaw who can be described as a Cajun rocker was in the middle of a national tour, and made a detour to play before a home crowd at the Slobsterfest in Metairie, just north of New Orleans near Louis Armstrong airport.  Amanda who recently turned 21 has been performing for over ten years, and is well known locally in New Orleans.  In fact, if one is in New Orleans and Louisiana in October, you can catch her at several Lousiana festivals, and then in San Francisco on October 7 at the Hardly Strictly Bluegrass Festival.  But for Southern California, her only appearance this Fall is up in Ventura on Saturday October 13, 2012 at the first annual Ventura Oysterfest, although she has played in the Los Angeles area earlier this year.

Amanda can mix in cajun fiddling and rock out doing her own music and cover songs, including a number of swamp pop songs.  Below is a link to a four minute video that I took at Slobsterfest in which she is playing Cha Cha. If this does not play from an Ipad, then the link to my Amanda Shaw YouTube video can be found here. In addition to my first ever use of video on an ExperienceLA blog post, I have my usual group of pictures on flickr, in which you can view it as an embedded slide show, or if on an Ipad, then from my Amanda Shaw slideshow link on Flickr.
When Amanda Shaw was showing her appreciation of her audience, it reminded me of Kasey Chambers thanking her own audience. Amanda has tremendous stage presence, as she dances on stage with her fiddle and interacts with her supporting male musicians. Some of you may have seen Amanda Shaw in one of several movie appearances, including Hurricane on the Bayou, a documentary on Louisiana after Katrina. And some major trivia that I learned from Amanda Shaw's official web site, is that Amanda Shaw was offered the starring role of Hannah Montana, but turned it down, and we all know how Miley Cyrus rode that roll to fame.

So if looking for something to do in Southern California on Saturday October 13, 2012 from 11 am to 6 pm, then head up to the Ventura Oysterfest for the music and food (with an emphasis on oysters), and especially to see Amanda Shaw and The Cute Guys. It will be well worth the trip. Cost of the festival is $20. Check back to the official website, as to what time Amanda Shaw is scheduled to play.

The Most Ingenious DIY Bike I've Ever Seen

To contact us Click HERE
Microbent CLWB Recumbent, by Fred Fincher, USA

The Most Ingenious DIY Bike I've Ever Seen
by Bevin Chu
Taipei, China
February 10, 2011


Lately I've been surfing the web for DIY bike designs.

I have a 26" diamond frame urban commuter that I would like to convert into a LWB mid racer recumbent, along the lines of the Easy Racers Javelin or Rans X-stream 26.

But as I surfed the web, I stumbled across the above compact long wheelbase (CLWB) recumbent, converted from a diamond frame child's bike.

It has relatively little to do with my own DIY conversion requirements. But it is perhaps the most ingenious DIY conversion I've ever seen, and therefore useful as a source of inspiration.

What makes this particular DIY conversion so ingenious?

1. This DIY conversion makes full use of the existing bike design. Rather than laboriously fabricate new parts in a machine shop, it makes full use of every part already on the bike.

2. The crank assembly, for example, is merely a section of EMT, welded to the head tube. It extends forward along the axis of the top tube, just far enough to accommodate the rider's legs.

3. The seat bottom rests directly on the top tube, and is the exact same length as the top tube. The seat back begins exactly where the top tube and seat tube meet. The seat back supporting struts attach to the existing rear luggage rack attachment points. The seat back, seat stays, and seat back supporting struts form a perfect triangle. 

4. The USS (under seat steering) solution is perhaps the most ingenious feature of all. The builder simply welded two pieces of EMT onto the front fork, creating handlebars for direct steering. Because the DIY conversion uses a child's bike that is short in overall length, the handlebars fall directly below the rider's hands. This eliminates the need for any complex steering mechanism. No muss, no fuss. 

5. The DIY conversion requires only a single donor bike. No need to accumulate two or even more donor bikes before beginning the conversion process. Everything on the single donor bike is used. Nothing is wasted.

6. Because the DIY conversion uses a child's bike, the completed bike is low to the ground. This makes it safe in the event of a spill. The rider sits a mere foot or so above the ground.

Fenix E01 Flashlight

To contact us Click HERE


Fenix E01 Flashlight Specifications: 

- Uses a Nichia white GS LED with a lifespan of 100,000 hours
- Uses one 1.5V AAA (Ni-MH, Alkaline) battery
- 71mm (Length) x 14.2mm (Diameter)
- 14-gram weight (excluding battery)
- Digitally regulated output maintains constant brightness
- Reverse polarity protection, to protect from improper battery installation
- Reliable twist switch
- Capable of standing up securely on a flat surface to serve as a candle
- Made of durable aircraft-grade aluminum
- Toughened ultra-clear glass lens with anti-reflective coating

Fenix E01 Flashlight
by Bevin Chu
July 17, 2012
Taipei, China

I just acquired a Fenix E01 Flashlight in Taipei for 400 NT (US $13). The Fenix E01 Flashlight is a 1AAA flashlight barely larger than the single AAA cell that powers it. This makes it ideal for EDC or Every Day Carry. It features an astonishingly bright LED bulb that lasts over 11 years. It does not dim as the battery runs down. Instead, digitally regulated electronic circuitry maintains constant brightness throughout the life of the battery. Now how neat is that?

Years ago I owned a Mini Maglite 2AA Flashlight, in addition to a large police use Maglite 5D Flashlight. Maglite was then the pioneer of high tech aluminum alloy flashlights. As its official website boasts:

Often referred to as "A Work of Art That Works®", the Maglite® and Mini Maglite® flashlights have been honored by the Japan Institute of Design and by the Museum for Applied Art in Germany. Fortune and Money magazines ranked Mag Instrument® products among the top 100 products that "America makes best". In 1996, the Wall Street Journal referred to the Maglite® flashlight as "the Cadillac of flashlights", and quoted then-CEO of Apple Computer Gilbert F. Amelio as saying he wanted Apple to be "essentially the Maglite® of computers".   

But that was then. This is now. Later rivals have since left Maglite behind in the dust. The Maglite Solitaire, a 1AAA incandescent flashlight is cheaper at only US $5. But in terms of performance it does not begin to compare. Among these rivals are Arc Flashlights, Fenix Flashlight, and Inova/Nite Ize. Arc and Inova are US based brands. Fenix is a mainland China based brand that, to borrow a advertising slogan from Taiwan, is "very well Made in China." As its official website explains:

Progress is rooted in dissatisfaction. A group of young men, passionate about high quality illumination, grew increasingly dissatisfied with the mediocre flashlights on the market. These inferior devices had substandard construction and poor attention to detail. The young men organized a group of professional engineers to head their machining, electronics, and design departments. Together they founded FenixLight Limited. The marriage between ingenuity and craftsmanship led to lighting devices held in high regard the world over.







I purchased my Fenix E01 from Ray Gue Hua Knives in Taipei:
http://www.rghknives.com.tw/product_info.php?products_id=6002

INOVA X-1 High-Powered LED Flashlight

To contact us Click HERE
INOVA X-1 High-Powered LED Flashlight
by Bevin Chu
August 19, 2012 
Taipei, China

Recently, in addition to a 1AAA powered Fenix E01 flashlight, I also purchased a 1AA powered INOVA X-1 flashlight, from the same local Taipei shop.

This ensures that in an emergency I will be able to obtain light from either AA or AAA batteries, depending upon availability.

The 1AA powered INOVA X-1 flashlight has essentially the same virtues as the 1AAA powered Fenix E01 flashlight. It produces surprisingly bright light from a single small, commonplace, and widely available AA battery.

The 1AA powered INOVA X-1 flashlight is actually bright enough to double as a bike headlight. All that would be required is a mounting bracket.


Precision optical system


3 Position end cap switch


Electronically controlled


Long life LED


1 AA alkaline battery

I purchased my INOVA X-1 from Ray Gue Hua Knives in Taipei:
http://www.rghknives.com.tw/product_info.php?products_id=10650

28 Eylül 2012 Cuma

Go Local For Carmageddon II

To contact us Click HERE

During last year's closure of the I-405 (aka Carmageddon!) we were promoting "good carma" and how to Experience LA in new ways. With this year's I-405 closure on September 29-30, 2012, our mission statement is the same, but simplified: Go Local!

We all have them - the places we've been meaning to go to - and whether it's a restaurant, store, theatre, museum or gallery, chances are at least one of them is just down the street, walkable, or transit-friendly.  So on the weekend the I-405 closure, change your story, get out of the car, and just go.

Or maybe you just haven't taken the time to explore your neighborhood or are so overwhelmed by the amazingness of Los Angeles that you just don't know where to start! Need ideas?  We've got plenty.

Turn your Carmageddon into ARTmageddon!  Stay off the freeways and major roads and take in the art near you.  Featuring a feed of ExperienceLA events, the Artmageddon initiative is all about the art experience in YOUR neighborhood.  We bet there's plenty of hidden gems just waiting for you to find.

Need outings with a little bit more incentive?  Check out Metro's Eat, Shop, and Play Locally Interactive Map of Metro Destination Discount partners.  The map features participating venues and events where you can just show your valid Metro pass and redeem the offer.  Also get quick access to the Metro Trip Planner so you can know how to get there the Go Metro way!  You can stay out late too.  The Metro Rail, the Silver Line, and the Orange Line now run until 2am on Friday and Saturday nights.

Have an event you'd like for us to show on ExperienceLA for Carmageddon (and other days out of the year)?  Sign-up to become a partner!  Once you've been approved and receive your username/password, you're on your way to adding events!

Go local for Carmageddon II, but - seriously - go local all the time.  Make a habit of it!  You never know what experiences might await you close to home.

-Charity Tran

L.A. Loves Alex's Lemonade September 29 Food Event

To contact us Click HERE
Culver studios backdrop
Chefs Suzanne Goin and David Lentz, along with Suzanne's business partner Caroline Styne, for the third year are assembling some of the best celebrity chefs and mixologists from Los Angeles, San Francisco, New Orleans, Miami, Chicago, Seattle, Cleveland, Philadelphia, and New York City to raise funds for pediatric cancer research on behalf of Alex's Lemonade Stand Foundation (ALSF).  L.A. Loves Alex's Lemonade event on Saturday, September 29, 2012 at the Culver Studios from noon to 4 pm will again be among the best food events occurring  in Los Angeles.  A general admission ticket is $175 with a significant portion ($100) of that amount tax deductible.  The story of the creation of ALSF by Liz and Jay Scott is heartbreaking, as they watched in amazement how their very young daughter Alex raised over a million dollars to find a cure for pediatric cancer, such that they captured her passion by creating ALSF after her passing.  Having the opportunity to talk with Liz and Jay in 2010 was a cherished moment, and I was fighting back tears.

Just like Suzanne, David, and Caroline masterminded this Los Angeles foodie event, my late wife Karen Gibbs and I also became enchanted with the mission of ALSF and we volunteered four shifts (working all day and into the night doing cleanup) during the initial 2010 event in which over $300,000 was raised.  Unfortunately, Karen was battling for her own life during November 2011 for the second one that cleared $400,000.  I so much wanted to make a token volunteer appearance,. but with the stormy weather, I could not afford to be sick, and thus be kept out of the ICU.  When Karen lost her own battle, I encouraged our friends to donate to ALSF along with several other non-profit organizations close to our hearts.

Having all of these chefs, mixologists, sommeliers, vintners, and craft brewers  in one place is an opportunity to sample their offerings and engage in short conversations during this four hour period.  In addition, one can spend an additional $75 to attend an after party at The Hungry Cat Hollywood from 5 pm to 8 pm.  For those that follow my occasional blog posts on ExperienceLA, you would know that I am a major fan of the restaurants owned by Suzanne, David, and Caroline, and have covered The Hungry Cat annual Crabfest. I have had many conversations with David about his growing up in Maryland, and the long time love affair of Maryland and Blue Crabs.  My long time fascination of the Chesapeake Bay in recent years has been replaced by the Gulf Coast, and the trend setting cooking coming out of Louisiana.  For myself, having just gotten back from my 13th visit to Louisiana, and checking out the Cochon outpost in Lafayette, I am again looking forward to talking to chef/owner Donald Link who was so personable back in 2010. Below is my mobile picture of Chef Link with New Orleans Chef Susan Spicer from 2010 taken with my mobile phone:

Susan spicer and Donald link in culver city supporting alex's lemonade stand

Last year appearing for the first time was Shelley Lindgren, sommelier/owner of A16 and SPQR in San Francisco, and author of two cooking/wine books. It was a visit to A16 during its initial six months of operation, that Shelley introduced me to southern Italian wines, especially those from Sicily. I remember being very intimated from the wine list, as my familiarity was with northern Italian wines. Shortly thereafter, Shelley was named the best sommelier under 30 by one of the leading wine publications. Recently I had an opportunity to catch up with Shelley Lindgren at an event at Book Passages in Corde Madera in which I had the following picture taken with her. DSC_5907

Shelley will be joined by her husband mixologist Greg Lindgren who works out of San Francisco's Rye on the Road.  And what would be a food event featuring the best mixologists without our own Eric Alperin from the Varnish (hidden inside Cedd Moses' Coles) in downtown Los Angeles.  Recently, at the international Tales of the Cocktail conference in New Orleans., Eric and Cedd were honored for the Varnish being the Best American Cocktail Bar. Also watch for mixologist Tim Staehling who manages all three Hungry Cat restaurants who earlier this year went with David Lentz to compete in the national Lobster Roll competition.

I am a major quail fan which I love to cook and seek out in restaurants.  Thus, I was in heaven over the last several weeks eating quail at various restaurants and festivals in Louisiana.  Back in 2010, Chef Michael Tusk of Quince in San Francisco was serving quail as shown below.  Chef Tusk will be back for 2012, but have no idea  whether he will cooking quail.  But I suspect one of thirty plus chefs will decide to play with quail, and I will be a fan.
Quince restaurant quail platingbr />
Finally, as we all should know by now, September 29th is Carmegeddon II, the weekend of the San Diego Freeway 10 mile shutdown from the Santa Monica to the Ventura Freeway. Thus, this would be a great event for all of those on the westside to stay local. Plus, for those with Metro access, the Culver Studios are only a few blocks away from the western terminus of the Expo line from downtown Los Angeles. An easy walk or very short bus ride.  So checkout the official ALSF web page for the event, and Like the L,A.Loves Alex's Lemonade on Facebook.

Silverlake Contemporary Ballet: The Swan Lake You've Always Wanted To See

To contact us Click HERE
SilverlakeBallet

Swan Lake.  A million ballerinas have danced a version of it, the hauntingly grand Tchaikovsky music is unmistakeable aaaaand who can forget 2010's The Black Swan? Seriously.  Well, that's all about to change.
The Silverlake Contemporary Ballet (SCB) is re-inventing the story once again and just to make it that much more LA, each act will be played by local legends...live...on stage. Yep, you heard that right.  Awesome sounds by Races, The Young Romans and Holly Conlan will each play a rock rendition of the centuries-old ballet score.  In addition, a collection of large scale paintings curated by Edgar Varela Fine Arts will set the scene, American Apparel will donate the costumes and, together, all tell their depiction of a love story 'tested by Hollywood morality'.


Just a taste of what you'll see:


The SCB returns after a sold-out 1st season THIS WEEKEND for only 3 days of shows: September 21st - 23rd.  Tickets start at $25 to view a private dress rehearsal Friday evening and can run you to $36 for priority seating to see the full production at The Assistance League Theater of Hollywood.  Can't afford the show? Join the volunteer crew and see the show for free! Contact HERE for details.
SilverlakeBallet
SilverlakeBallet
SilverlakeBallet

A much overdue addition to our burgeoning creative community, Swan Lake by the Silverlake Contemporary Ballet promises an amazing eruption of talent to see and is a show not to be missed.  See you soon!
Xo,Melissa 

URBAN BEATBOX

To contact us Click HERE


One of the most impressive architectural works at the London 2012 Olympic Park was no doubt, the Coca-cola Beatbox. An impressive collaboration between architects Asif Khan / Pernilla Ohrstedt and British producer Mark Ronson, the Beatbox is a jumble of steel and ETFE cushions which can actually be played as a musical instrument. 



It's the epitome of mega-event architecture: combining a temporary structure, corporate promotion, large crowd capacity, innovative interactivity, iconic silhouette, and they even give you a free coke at the end!
More pix after the break:






CARLO SCARPA'S BRION-VEGA CEMETERY

To contact us Click HERE

"I would like to explain the Tomba Brion...I consider this work, if you permit me, to be rather good and which will get better over time. I have tried to put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry....The place for the dead is a garden....I wanted to show some ways in which you could approach death in a social and civic way; and further what meaning there was in death, in the ephemerality of life—other than these shoe-boxes."— Carlo Scarpa. "Can Architecture Be Poetry." from Peter Nover, Ed. The Other City Carlo Scarpa: The Architect's Working Method as Shown by the Brion Cemetery in San Vito D'Avitole. p17-18.
MAXXII Exhibition photo

I found it impossible to find directions to this place online...Take the Regionale Train towards Bassona del Grappa (4.10 Euros each way)Stop: Castelfranco VenetoTake the Autolinea n4 Bus towards Cavaso del Tomba (3 Euros each wayStop: San Vito di Altivole